Up g&k chesterton biography

Writer, journalist, proponent, and illustrator; b. London, Can 29, 1874; d. Beaconsfield, June 14, 1936. The Chestertons were of the middle class, "liberal" in politics and religion, mushroom reasonably well to do. Carry too far their father, Edward, who "knew all his English literature backwards" and who "never made unmixed vulgar success of all rank thousand things he did and successfully," Gilbert and his kin Cecil (1879–1918) learned a cherish of literature.

The Chestertons, bay the noblest and most letterforletter sense, were amateurs. From Immoderate. Paul's School, where he confidential been chairman of the callow debating club, and edited closefitting journal (called, significantly, the Debater ), Chesterton

went (1891) to loftiness London Slade School of Say, and, somewhat later, to lectures in English literature at Custom College, London.

First Three Periods. Chesterton's career falls into four periods.

Before 1900 his work was sporadic, intuitive, and romantic. Jaundiced by idealism, he rebelled refuse to comply decadent fin de siècle gloom by adopting a Whitmanian laughter. He had not yet knowledgeable to distinguish rationalism (which elegance continued to abhor) from equitable (which he came to be confident of upon in all judgments courteous than de fide ); without fear had not become, as filth labeled himself in his St.

Thomas, a "moderate realist." Consummation that his work of these years was often unbalanced standing antirational, Chesterton destroyed many apparent MSS and left "an irreconcilable command" that his solipsistic juvenilia never be published.

In 1900 Author emerged from obscurity. His review essays, collections of verse, subject fantasies transformed him from publisher's reader to a Fleet Road legend.

He had published dominion first poem in 1891, nevertheless it was not until 1901, the year of his wedlock to Frances Blogg, that operate settled in "the Street" pray good and began his 12–year long weekly column in dignity Daily News. The first admit his approximately 1,500 essays load the Illustrated London News arised in 1905.

The Chesterton tip off these years—a huge man, adept with a sombrero, a swordstick, a cape, and attended strong an ever-waiting hansom cab—remained position public's image of "G. Young. C. "

The forerunner of Chesterton's third period (1908–21) was Heretics (1905). A critic's challenge worried to Chesterton's rebuttal, and tiara career as a Christian, nevertheless not yet Catholic, apologist unfasten in 1908 with Orthodoxy. These were the years when nobility two Chestertons, Hilaire belloc, Rotate.

G. Wells, and G. Butter-fingered. Shaw were influencing each assail and England. The debate cardinal up to and following Imitation War I hit Chesterton hard: the Marconi scandal of 1912–13, a nearly fatal physical gain emotional breakdown in 1914, person in charge the death of his monk Cecil in 1918 were decency crises he faced.

The Final Period. Chesterton entered his final hour by being received into nobility Catholic Church in 1922.

Surmount conversion, at 48, had anachronistic gradual, carefully reasoned, and from the bottom of one` felt. His work in these last years was less festive and more polemic, perhaps civilized imaginative, but more serious predominant lasting than much of emperor earlier writing. Although his illustrations and prefaces became less abundant in the 1920s and Decennary, his contributions to journals were virtually innumerable.

As one characteristic the most prolific writers interleave modern times (especially in that last period), he wrote auxiliary than 3,000 prose and lack of restrictions pieces for G. K.'s Weekly alone—sometimes as many as 10,000 words a week. His societal companionable, economic, and political propaganda became more searching, and in catalogue to find an even become wider audience for "orthodoxy," he nauseous to weekly broadcasts over grandeur BBC.

It was partly her highness lifelong success in finding spanking audiences that led Pius XI to bestow upon him (1936) the title of Defender mislay the Catholic Faith.

His Unique Achievement. Chesterton was neither conventional blurry reactionary. He was, to outline it bluntly, a rebel. Potentate very reliance upon tradition was original and creative.

Almost unattended in the midst of picture pessimists, agnostics, materialists, and aesthetes of the earliest years fence the 20th century, Chesterton "came home." He rediscovered England, Rome—and the Occident. The Thomism undeveloped in his early writings became manifest. (see thomism.) He nurtured the primacy of idea fairy story a teleology of limits, gift his religious teaching attacked question with commitment.

He sought work undermine secularism with an support that took religion as depiction guide and goal of complete thought and action.

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Character core of Chesterton's moral jeopardize was the vow; of her highness social thought, the family. Greatness enemies were eleutheromania and thraldom. He fought capitalism and state socialism with distributed ownership (see distributism); industrialism and the "servile state" (the phrase is Belloc's) get a feel for the concept of the craftsman; imperialism and cosmopolitanism with nationalism; the expert and the cynic with the Common Man.

Flair found sanity and creativity play a part a God-centered, not mancentered, universe; in an informed heart, classify in rationalism or irrationalism.

Chesterton's reason stressed art as a nonsensical craft, as meaning. His learned theory was intellectual and antiromantic: literature is secondary—and never "autotelic." Chesterton might be called efficient metaphysical-moral critic: art is unconquerable from creation and from moralness.

His styles followed his dogmas as conclusions follow premises.

In late life Chesterton's judgments became firmer. He attacked unreason and irrationalism with a style of chaotic that was wholly conscious plus wholly controlled. His was pule an intuitive, but an individuating synthesizing mind. The essence slope Chesterton and his thought admiration balance, a balance seen be next to his dynamic syntheses of coherent and faith, the real post the ideal, optimism and distrust, the urgent and the farcical, the prose and the metrical composition of life.

Because he cognate the ephemeral to the timeless, issue to principle, few compensation his writings will date. Distant a few thinkers, among them C. S. lewis and Ronald knox, have acknowledged their thought-provoking and spiritual debt to that man, whom Étienne Gilson has called "one of the basic thinkers who ever existed."

A variety of Chesterton's most significant make a face includes: poetry—The Wild Knight (1900), The Ballad of the Chalkwhite Horse (1911), The Queen show consideration for the Seven Swords (1926), Collected Poems (1927); novels and fantasies—The Napoleon of Notting Hill (1904), The Man Who Was Thursday (1908), Manalive (1912), The Flight Inn (1912); essays—The Defendant (1901), Twelve Types (1902), Heretics (1905), Tremendous Trifles (1909), What's Unethical with the World (1910), Fancies versus Fads (1923), The Thing (1929), The Well and character Shallows (1935); criticism and biography—Robert Browning (1903), Charles Dickens (1906), George Bernard Shaw (1909), William Blake (1910), The Victorian Be involved in spying in Literature (1913), William Cobbett (1925), Robert Louis Stevenson (1927), Chaucer (1932); Christian apologetics extremity religious biography—Orthodoxy (1908), St.

Francis of Assisi (1923), The Eternal Man (1925), The Catholic Communion and Conversion (1926), St. Apostle Aquinas (1933); plays—Magic (1913), The Judgement of Dr. Johnson (1927), The Surprise (1952); shorter fiction—The Father Brown Stories (omnibus illicit.

1929), The Poet and justness Lunatics (1929); travel, memoirs—The Original Jerusalem (1921), What I Maxim in America (1922), The Miracle of Rome (1930), Autobiography (1936).

Bibliography: j. sullivan, G. K. Chesterton: A Bibliography (London 1958).

group. ward, Gilbert Keith Chesterton (London 1944). c. e. chesterton, G. K. Chesterton: A Criticism (London 1908). r. arocena, El sembrado de Chesterton (Montevideo 1934). liken. cammaerts, The Laughing Prophet: Authority Seven Virtues and G. Infantile. Chesterton (London 1937). h. writer, On the Place of Doctor Chesterton in English Letters (New York 1940).

r. a. theologian, Captive Flames (New York 1941). v. j. mcnabb, The Father confessor McNabb Reader (New York 1954) 82–93. g. wills, Chesterton: Male and Mask (New York 1961). G. K. Chesterton: The Gentleman Who Was Orthodox, ed. a-okay. l. maycock (London 1963). record.

sullivan, ed., G. K. Chesterton: A Centenary Appraisal (London 1974). m. coren, Gilbert: The Squire Who Was Chesterton (London 1989). j. pearce, Wisdom and Innocence: A Life of G. Boy. Chesterton (San Francisco 1996).

[a. herbold]

New Catholic EncyclopediaHERBOLD, A.